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SAMBA
PAULINHO DA VIOLA & MARTINHO DA VILA
MASTERS OF THE THIRD SAMBA WAVE

The masters use the fundamentals perfectly. In samba, that means a foundation steeped the the traditions of the cradle of samba, the Rio neighborhoods of the first samba wave. "This form of music moves me more," explains da Viola. A voice both expressive and elegant does the rest. Three decades after his late 1960's debut, he makes as strong a case for old-school samba with the most restrained of modern modifications of arrangement.

It was the old neighborhood of Noel Rosa that sheltered the boy born during the 1938 Carnaval, Martinho da Vila. The "Vila" in his name was taken not from his father but from the samba school he joined in the mid-1960's, Vila Isabel. By the 1970's he parlayed samba composition success into the stratospheric record sales figures of a pop star. By the late 1980's he had organized amajor black heritage festival in Rio and reaffirmed his place in samba history with a relaxed vocal style over what was essentially the traditional samba rhythms.

BRAZIL CLASSICS 2: O SAMBA, various artists
SAMBA BRASIL, various artists
CORES DO BRASIL 2: SAMBA, various artists
BRAZIL SAMBA ROOTS, various artists
SAMBA!, various artists
GRANDES MESTRES DO SAMBA, various artists
MUSIC OF ARY BARROSO, various artists
SAMBA: RESISTANCE IN MOTION, Barbara Browning
SAMBA, Alma Guillermoprieto
WHY IS THIS COUNTRY DANCING?, John Krich
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